Author(s):

  • de Stefano, Jason

Document:

https://doi.org/10.5250/quiparle.23.2.0089

References:
  1. Peter Galison, How Experiments End (Chicago: University of Chi-cago Press, 1987), ix.
  2. Peter Galison, Image and Logic: A Material Culture of Microphysics(Chicago: University of Chicago Press, 1997), xix.
  3. Lorraine Daston and Peter Galison, “The Image of Objectivity,” Representations40 (Autumn 1992): 81– 128.
  4. Peter Galison, “Objectivity Is Romantic,” in The Humanities and the Sciences (Philadelphia: American Council of Learned Societies, 1999), 15– 43. Hereafter cited as “or.”
  5. Lorraine Daston and Peter Galison, Objectivity (New York: Zone Books, 2007).
  6. Peter Galison, “Image of Self,” in Things That Talk: Object Lessons from Art and Science, ed. Lorraine Daston (Cambridge, ma: Zone, 2004), 258.
  7. See Martin Heidegger, “Building Dwelling Thinking,” in Poetry, Language, Thought, trans. Albert Hofstadter (New York, 1971), 143– 59.
  8. B. R. Cohen, interview with Peter Galison, Public Culture26, no. 1(2014): 91– 92.9. William Kentridge, The Refusal of Time, promotional video, Met-ropolitan Museum of Art, http://www.metmuseum.org/exhibitions/listings/2013/william- kentridge.